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Quasi-trochees in Nabokov's prose
Author(s) -
Grigori Utgof
Publication year - 2012
Publication title -
sign systems studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.17
H-Index - 7
eISSN - 1736-7409
pISSN - 1406-4243
DOI - 10.12697/sss.2012.1-2.13
Subject(s) - iambic pentameter , linguistics , theme (computing) , verb , meaning (existential) , sentence , subject (documents) , syllable , literature , philosophy , epistemology , art , computer science , poetry , library science , operating system
Summing up the ideas expressed in the most influential articles on the semantic halo of the Russian trochaic pentameter, scholars tend to avoid one particularly tricky question: how many units - and what kind of units - are needed to detect extra layers of meaning in a particular text? While the article of Kiril Taranovsky "О взаимоотношении стихотворного ритма и тематики" had implied that the source of these meanings (e.g. the dynamic theme of the journey ) should be sought in a line starting from the 3- to 4-syllable structure, incorporating a verb of motion and an anapestic anacrusis (Выхожу (verb of motion, last syllable stressed) один я на дорогу), later research objected to this principle as an oversimplification. At the same time two later contributions on the subject (Kirill Vish- nevsky's "Экспрессивный ореол пятистопного хорея" and Mikhail Gasparov's "The semantic halo of the Russian trochaic pentameter: Thirty years of the problem") proposed the idea of operating with whole texts as potential sources of meanings, thus calling into question a micro-level approach to the origin of the phenomenon. In my article I propose an empirical model that makes it possible to evaluate some limitations of both practices: I concentrate on some quasi-trochaic pentameters culled from the prose text of Подвиг (Glory) by Vladimir Nabokov (Sirin), and examine these quasi-verse incidents in the framework of both approaches. In this paper I aim to propose an empirical model that would make it possible to evaluate some limitations of the existing approaches to the thematic repertoire of the Russian trochaic pentameter. To achieve this goal, I shall make use of the technique of close reading, focussing on isolating trochaic pentameters from a text unrelated to poetry with the purpose of studying these quasy-lines in comparison with trochees proper. Such a comparison can lessen the tension between two influential approaches to the problem of verse form and memory: M. L. Gasparov's approach vs that of R. O. Jakobson and K. F. Taranovsky. These approaches diverge from each other in one aspect:

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