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Unexpected Cowboy, Unexpected Indian: The Case of Will Rogers
Author(s) -
Amy Ware
Publication year - 2009
Publication title -
ethnohistory
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.201
H-Index - 26
eISSN - 1527-5477
pISSN - 0014-1801
DOI - 10.1215/00141801-2008-034
Subject(s) - realm , cherokee , conflation , entertainment , ethnic group , history , embodied cognition , representation (politics) , politics , ethnohistory , aesthetics , sociology , gender studies , media studies , anthropology , art , visual arts , law , political science , philosophy , archaeology , epistemology
This brief examination of the early-twentieth-century United States expands academic interpretations of ethnic performance in the popular realm. The case of Will Rogers—Cherokee entertainer, writer, and political pundit—is particu - larly useful in understanding the representational conflicts, then and now, between cowboys and American Indians in the popular realm. Rogers himself was unex - pected; he was both a cowboy and an Indian, a conflation that baffled and titillated his urban fan base. Throughout his early career, from approximately 1903 to 1919, Rogers and his audience grappled with these seemingly conflicting roles of cowboy and Indian, characters steeped in a seeming ethnic conflict yet embodied simulta - neously by Rogers. The celebrity's strong ties to Cherokee ranching culture influ- enced the way he presented himself, yet such performances confounded his fans. In the end, Rogers's self-representation as a cowboy limited the public's recognition of him as an Indian.

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