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Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2
Author(s) -
Goddard Edited and introduced by Michael,
Hogg Christopher
Publication year - 2020
Publication title -
critical studies in television: the international journal of television studies
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.467
H-Index - 7
eISSN - 1749-6039
pISSN - 1749-6020
DOI - 10.1177/1749602020937566
Subject(s) - representation (politics) , key (lock) , reality tv , reading (process) , politics , transgender , sociology , aesthetics , media studies , computer science , political science , art , linguistics , gender studies , philosophy , law , computer security
This is the second more substantial part of the introduction to the final Trans TV special issue, distributed across issues 15.2 and 15.3 of this journal. As well as introducing the contents of this issue, we reflect in this introduction on the Trans TV project as it has developed since 2017, via an engagement with two key televisual texts namely Transparent (2014–2019) and Pose (2018–). We argue that this certainly reflects positive developments in terms of transgender representation and authorship but this progress is more complex when considered in terms of television aesthetics and politics. We also propose, drawing on the work of Koch-Rein et al (2020), a shift form representation towards the concept of ‘transing’ as a reading strategy, and argue that this has been at the heart of the Trans TV project all along.

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