Open AccessA performative paradigm for post-qualitative inquiry
Author(s) -
Tone Pernille Østern,
Sofia Jusslin,
Kristian Nødtvedt Knudsen,
Pauliina Maapalo,
Ingrid Bjørkøy
Publication year - 2021
Publication title -
qualitative research
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.285
H-Index - 74
eISSN - 1741-3109
pISSN - 1468-7941
DOI - 10.1177/14687941211027444
Subject(s) - performative utterance , performativity , qualitative research , sociology , epistemology , manifesto , aesthetics , social science , art , gender studies , political science , philosophy , law
In this article, the authors explore and contribute to producing a performative research paradigm where post-qualitative as well as artistic research might dwell and breathe. Entering a thread of discussion that started with Haseman’s A manifesto for performative research in 2006, and building on their own friction-led research processes at the edges of qualitative research, the authors plug in with performativity, non-representational theories and methodologies, post-qualitative inquiry and post approaches. A performative paradigm for post-qualitative inquiry is proposed, where knowledge is viewed as knowledge-in-becoming as the constant creation of difference through researcher entanglement with the research phenomenon and wider world. A performative paradigm produces a space for movement, (artistic) freedom, (post-qualitative) experimentation and inclusion. A performative research paradigm also offers provocations that shake long-established notions about what research is and should be. Within a performative research paradigm, learning/be(com)ing/knowing is always in-becoming – as is the performative paradigm itself.