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Invisibility, Colors, Snow: Arctic Biosemiotics and the Violence of Climate Change
Author(s) -
Gitte du Plessis
Publication year - 2020
Publication title -
theory culture and society
Language(s) - English
Resource type - Journals
eISSN - 1460-3616
pISSN - 0263-2764
DOI - 10.1177/0263276420976793
Subject(s) - semiotics , invisibility , biosemiotics , geopolitics , arctic , sociology , aesthetics , politics , epistemology , environmental ethics , art , ecology , political science , philosophy , law , optics , biology , physics
This article conceptualizes contemporary geopolitical violence in the Arctic through a semiotic register. Different living beings perceive different things, and these differences amount to different worlds, not merely different worldviews. Building on Eduardo Kohn’s reading of the semiotics of Charles Sanders Peirce, and theorists of biosemiotics and ecosemiotics, the article analyses how signs in and between living organisms and their environments are political matters of life and death. Via the themes of invisibility, colors, and snow, the article traces semiotic relations between different living beings and their Arctic ecologies to weave a semiotic understanding of contemporary geopolitical violence in the Arctic and the role of climate change therein. The article defines the violence of climate change as a violence of not being able to recognize oneself, and builds on Eduardo Viveiros de Castro’s concept of multinaturalism to explain what it means that one world ruins other worlds.

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