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The article offers an analysis of the actualisation of Ukrainian vocabulary, primarily in the Galician dialect. Yurii Vynnychuk’s novels Tsenzor sniv (Eng. Dream Censor) and Tango smerti (Eng. The Tango of Death) have been chosen as sources for this research. Particular attention is paid to vocabulary for naming abstract notions, some polite words, and vocabulary relating to L’viv domestic life. Furthermore, the semantic structure and stylistic features of the actualised L’viv dialect are identified. The results indicate that the vocabulary in Yurii Vynnychuk’s novels was used to describe life in L’viv during the interwar period. In addition, an analysis of modern dictionaries demonstrates that Galician vocabulary, and the L’viv dialect in particular, are returning to the core of the lexical system.

The Actualisation of the L'viv Dialect in the Works of Yurii Vynnychuk