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The Theme of the Fountain-Wound in a Baroque Manuscript Meditation: The Impact of Iconography on Poetry
Author(s) -
Joanna Panasiuk
Publication year - 2016
Publication title -
colloquia humanistica
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.101
H-Index - 1
eISSN - 2392-2419
pISSN - 2081-6774
DOI - 10.11649/ch.2016.012
Subject(s) - iconography , baroque , art , meditation , poetry , emblem , theme (computing) , interpretation (philosophy) , art history , literature , visual arts , theology , philosophy , computer science , operating system , linguistics
The Theme of the Fountain-Wound in a Baroque Manuscript Meditation: The Impact of Iconography on Poetry Behind the foundation of the monastic meditation about fountains is a concrete devotional graphic from Western Europe. It is the Dutch emblem that is the key to the interpretation of the religious text, which uses words to directly refer to a specific image. These cultural correspondences constitute a curious phenomenon. They present the spirituality as well as the mentality of seventeenth- and eighteenth-century European society. This seems to confirm, at the same time, the fact that no artistic activity is ever isolated. Motyw fontanny-ran w barokowej rekopiśmiennej medytacji: wplyw ikonografii na poezje U początkow monastycznej medytacji o fontannie stoi konkretna dewocyjna grafika z Zachodu Europy. To holenderski emblemat, bedący kluczem do interpretacji tekstu religijnego, poslugującego sie slowami w celu bezpośredniego odwolania do owego obrazu. Te kulturowe korespondencje stanowią ciekawe zjawisko. Odslaniają duchowośc i mentalnośc siedemnasto- i osiemnastowiecznego spoleczenstwa europejskiego. Rownocześnie zdają sie potwierdzac fakt, iz zadna aktywnośc artystyczna nigdy nie jest izolowana.

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