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Evaluating the Potential Gain of Auditory and Audiovisual Speech-Predictive Coding Using Deep Learning
Author(s) -
Thomas Hueber,
Eric Tatulli,
Laurent Girin,
JeanLuc Schwartz
Publication year - 2020
Publication title -
neural computation
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.235
H-Index - 169
eISSN - 1530-888X
pISSN - 0899-7667
DOI - 10.1162/neco_a_01264
Subject(s) - computer science , speech recognition , timit , artificial neural network , convolutional neural network , stimulus (psychology) , sensory system , speech processing , feed forward , artificial intelligence , psychology , hidden markov model , cognitive psychology , control engineering , engineering
Sensory processing is increasingly conceived in a predictive framework in which neurons would constantly process the error signal resulting from the comparison of expected and observed stimuli. Surprisingly, few data exist on the accuracy of predictions that can be computed in real sensory scenes. Here, we focus on the sensory processing of auditory and audiovisual speech. We propose a set of computational models based on artificial neural networks (mixing deep feedforward and convolutional networks), which are trained to predict future audio observations from present and past audio or audiovisual observations (i.e., including lip movements). Those predictions exploit purely local phonetic regularities with no explicit call to higher linguistic levels. Experiments are conducted on the multispeaker LibriSpeech audio speech database (around 100 hours) and on the NTCD-TIMIT audiovisual speech database (around 7 hours). They appear to be efficient in a short temporal range (25-50 ms), predicting 50% to 75% of the variance of the incoming stimulus, which could result in potentially saving up to three-quarters of the processing power. Then they quickly decrease and almost vanish after 250 ms. Adding information on the lips slightly improves predictions, with a 5% to 10% increase in explained variance. Interestingly the visual gain vanishes more slowly, and the gain is maximum for a delay of 75 ms between image and predicted sound.

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