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This article documents Harold Cohen’s last phase of creativity from 2010 till his death in 2016, a period which witnessed an accelerated co-evolution of Cohen’s relationship with AARON, on the one hand; and his technological and artistic innovations, on the other, culminating in a new art form featuring the void. Implications for the human and machine interface are discussed.

Harold Cohen and AARON: Collaborations in the Last Six Years (2010–2016) of a Creative Life