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Rembrandt's Textural Agency: A Shared Perspective in Visual Art and Science
Author(s) -
Steve DiPaola,
Caitlin J. Riebe,
James T. Enns
Publication year - 2010
Publication title -
leonardo
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.254
H-Index - 23
eISSN - 1530-9282
pISSN - 0024-094X
DOI - 10.1162/leon.2010.43.2.145
Subject(s) - observer (physics) , agency (philosophy) , perspective (graphical) , vision science , gaze , visual arts , presentation (obstetrics) , art , aesthetics , computer science , artificial intelligence , epistemology , philosophy , medicine , physics , quantum mechanics , radiology
The authors hypothesize that Rembrandt developed new painterly techniques in order to engage and direct the gaze of the observer. Although these methods were not based on scientific evidence at the time, they are nonetheless consistent with a contemporary understanding of human vision. The authors propose that artists in the late early-modern period developed the technique of textural agencyselective variation in image detailto guide the observer's eye and thereby influence the viewing experience. They conclude with the presentation of laboratory evidence that Rembrandt's techniques indeed guide the modern viewer's eye as proposed.

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