12,000-Year-old Aboriginal rock art from the Kimberley region, Western Australia
Author(s) -
Damien Finch,
Andrew Gleadow,
Janet Hergt,
Vladimir Levchenko,
Pauline Heaney,
Peter Veth,
Sam Harper,
Sven Ouzman,
Cecilia Myers,
Helen Green
Publication year - 2020
Publication title -
science advances
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 5.928
H-Index - 146
ISSN - 2375-2548
DOI - 10.1126/sciadv.aay3922
Subject(s) - rock art , radiocarbon dating , pleistocene , period (music) , indigenous , motif (music) , archaeology , painting , paleontology , style (visual arts) , rock shelter , western europe , geography , geology , history , art , biology , ecology , art history , european union , economic policy , business , aesthetics
The Kimberley region in Western Australia hosts one of the world's most substantial bodies of indigenous rock art thought to extend in a series of stylistic or iconographic phases from the present day back into the Pleistocene. As with other rock art worldwide, the older styles have proven notoriously difficult to date quantitatively, requiring new scientific approaches. Here, we present the radiocarbon ages of 24 mud wasp nests that were either over or under pigment from 21 anthropomorphic motifs of the Gwion style (previously referred to as "Bradshaws") from the middle of the relative stylistic sequence. We demonstrate that while one date suggests a minimum age of c. 17 ka for one motif, most of the dates support a hypothesis that these Gwion paintings were produced in a relatively narrow period around 12,000 years ago.
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