Active control and sound synthesis—two different ways to investigate the influence of the modal parameters of a guitar on its sound
Author(s) -
Simon Benacchio,
Adrien Mamou-Mani,
Baptiste Chomette,
Victor Finel
Publication year - 2016
Publication title -
the journal of the acoustical society of america
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.619
H-Index - 187
eISSN - 1520-8524
pISSN - 0001-4966
DOI - 10.1121/1.4944572
Subject(s) - guitar , modal , acoustics , computer science , sound (geography) , modal analysis , coupling (piping) , musical acoustics , vibration , musical , physics , engineering , materials science , mechanical engineering , art , visual arts , polymer chemistry
The vibrational behavior of musical instruments is usually studied using physical modeling and simulations. Recently, active control has proven its efficiency to experimentally modify the dynamical behavior of musical instruments. This approach could also be used as an experimental tool to systematically study fine physical phenomena. This paper proposes to use modal active control as an alternative to sound simulation to study the complex case of the coupling between classical guitar strings and soundboard. A comparison between modal active control and sound simulation investigates the advantages, the drawbacks, and the limits of these two approaches.
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