Complex point source model to calculate the sound field radiated from musical instruments
Author(s) -
Tim Ziemer,
Rolf Bader
Publication year - 2015
Publication title -
the journal of the acoustical society of america
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.619
H-Index - 187
eISSN - 1520-8524
pISSN - 0001-4966
DOI - 10.1121/1.4934107
Subject(s) - acoustics , point source , psychoacoustics , critical distance , musical acoustics , computer science , point (geometry) , sound (geography) , architectural acoustics , field (mathematics) , physics , musical , mathematics , sound power , optics , reverberation , perception , art , geometry , neuroscience , pure mathematics , visual arts , biology
A simple method is described to record the radiated sound of musical instruments and to extrapolate the sound field to distances further away from the source. This is achieved by considering instruments as complex point sources. It is demonstrated that this simplification method yields plausible results not only for small instruments like the shakuhachi but also for larger instruments such as the double bass: The amplitude decays in a given manner and calculated interaural signal differences reaching the listener decrease with increasing distance to the source. The method is applied to analyze the sound radiation characteristics as well as the radiated sound field in a listening region regardless of room acoustical influences. Furthermore, it has been implemented in a psychoacoustic wave field synthesis system to generate the impression of a certain source width. Implementations in terms of room acoustical simulations, spatial additive synthesis and sound field synthesis are discussed.
Accelerating Research
Robert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom
Address
John Eccles HouseRobert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom