A variable passive low-frequency absorber
Author(s) -
Niels Werner Larsen,
Eric R. Thompson,
Anders Gade
Publication year - 2005
Publication title -
the journal of the acoustical society of america
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.619
H-Index - 187
eISSN - 1520-8524
pISSN - 0001-4966
DOI - 10.1121/1.4785850
Subject(s) - reverberation , acoustics , sound quality , computer science , absorption (acoustics) , quality (philosophy) , dilemma , sound energy , audio frequency , range (aeronautics) , energy (signal processing) , sound (geography) , mathematics , materials science , physics , sound pressure , statistics , geometry , quantum mechanics , composite material
Multi‐purpose concert halls face a dilemma. They can host classical music concerts, rock concerts and spoken word performances in a matter of a short period. These different performance types require significantly different acoustic conditions in order to provide the best sound quality to both the performers and the audience. A recommended reverberation time for classical music may be in the range of 1.5–2 s for empty halls, where rock music sounds best with a reverberation time around 0.8‐1 s. Modern rhythmic music often contains high levels of sound energy in the low frequency bands but still requires a high definition for good sound quality. Ideally, the absorption of the hall should be adjustable in all frequency bands in order to provide good sound quality for all types of performances. The mid and high frequency absorption is easily regulated, but adjusting the low‐frequency absorption has typically been too expensive or requires too much space to be practical for multi‐purpose halls. Measurements w...
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