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Motion of the lips of brass players during extremely loud playing
Author(s) -
Samuel Stevenson,
Murray Campbell,
Seona Bromage,
John Chick,
Joël Gilbert
Publication year - 2009
Publication title -
the journal of the acoustical society of america
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.619
H-Index - 187
eISSN - 1520-8524
pISSN - 0001-4966
DOI - 10.1121/1.3089733
Subject(s) - brass , acoustics , harmonics , shock (circulatory) , motion (physics) , physics , wavefront , vibration , optics , materials science , classical mechanics , medicine , quantum mechanics , voltage , copper , metallurgy
When a brass instrument is played loudly, the energy level of the higher harmonics increases dramatically. The generally accepted explanation for this is non-linear steepening of the wavefront and generation of shock waves within the instrument bore. However, it has also been suggested that changes in the player's lip vibration could play a role in generating this "brassy" sound. To test this hypothesis, the dependence of lip opening-area on time has been measured for different dynamic levels in trombones and horns. Results suggest that the behavior of the open area does not change dramatically when the instrument enters the brassy regime.

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