Vibrational characteristics of harp soundboards

Harps exist in different forms, from large factory-made concert harps to small hand-made folk harps. This variety presents both a challenge and an opportunity for acousticians. The musical quality of a harp depends on many factors, but key among these is the soundboard. This work sets out to define some general desirable qualities of a harp soundboard. First, in order to understand the relationship between the vibrational behavior of a bare soundboard and that of a completed instrument, a 36-string harp was built from scratch. Measurements were made at each stage of construction, and the results showed how the bare soundboard properties affect those of the finished harp. Second, the soundboards of several harps of different sizes were assessed by measuring the admittances along the string bar. These data showed that one relationship crucial to the quality of the soundboard is that between the modal shapes and modal frequencies of the soundboard, and the position and fundamental frequencies of the strings attached to it. A general statement is made about this relationship, one which should be of use to harp makers.