Dial A440 for absolute pitch: Absolute pitch memory by non-absolute pitch possessors
Author(s) -
Nicholas A. Smith,
Mark A. Schmuckler
Publication year - 2008
Publication title -
the journal of the acoustical society of america
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.619
H-Index - 187
eISSN - 1520-8524
pISSN - 0001-4966
DOI - 10.1121/1.2896106
Subject(s) - relative pitch , absolute pitch , musical tone , acoustics , pitch perception , absolute (philosophy) , tone (literature) , pitch (music) , dial , absolute threshold , mathematics , physics , psychology , perception , art , literature , epistemology , neuroscience , cognitive psychology , philosophy
Listeners without absolute (or "perfect") pitch have difficulty identifying or producing isolated musical pitches from memory. Instead, they process the relative pattern of pitches, which remains invariant across pitch transposition. Musically untrained non-absolute pitch possessors demonstrated absolute pitch memory for the telephone dial tone, a stimulus that is always heard at the same absolute frequency. Listeners accurately classified pitch-shifted versions of the dial tone as "normal," "higher than normal" or "lower than normal." However, the role of relative pitch processing was also evident, in that listeners' pitch judgments were also sensitive to the frequency range of stimuli.
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