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Audience, Implicit Racial Bias, and Cinematic Twists in Zootopia
Author(s) -
FLORY DAN
Publication year - 2019
Publication title -
the journal of aesthetics and art criticism
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.553
H-Index - 32
eISSN - 1540-6245
pISSN - 0021-8529
DOI - 10.1111/jaac.12672
Subject(s) - creatures , race (biology) , metaphor , aside , aesthetics , social psychology , white (mutation) , psychology , epistemology , sociology , art , history , gender studies , philosophy , literature , linguistics , biochemistry , chemistry , archaeology , gene , natural (archaeology)
This article argues that Zootopia , while positively exploring implicit racial bias, nonetheless leaves aside a huge swath of nonwhite viewers. By using the vehicle of fear that prey animals have for predators as a metaphor for race, its story primarily caters to white audiences and encourages them to consider what sorts of implications biased presumptions and predispositions might have on one's fellow creatures. Through the use of different epistemological and thematic twists, this movie drives home its point of showing the negative impacts that implicit racial biases may have, even as it sidelines many of its potential viewers.

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