Midbrain adaptation may set the stage for the perception of musical beat
Author(s) -
Vani G. Rajendran,
Nicol S. Harper,
Jose A. GarciaLazaro,
Nicholas A. Lesica,
Jan W. H. Schnupp
Publication year - 2017
Publication title -
proceedings of the royal society b biological sciences
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 2.342
H-Index - 253
eISSN - 1471-2954
pISSN - 0962-8452
DOI - 10.1098/rspb.2017.1455
Subject(s) - beat (acoustics) , perception , midbrain , speech recognition , rhythm , psychology , auditory perception , cognitive psychology , communication , neuroscience , computer science , acoustics , art , aesthetics , physics , central nervous system
The ability to spontaneously feel a beat in music is a phenomenon widely believed to be unique to humans. Though beat perception involves the coordinated engagement of sensory, motor and cognitive processes in humans, the contribution of low-level auditory processing to the activation of these networks in a beat-specific manner is poorly understood. Here, we present evidence from a rodent model that midbrain preprocessing of sounds may already be shaping where the beat is ultimately felt. For the tested set of musical rhythms, on-beat sounds on average evoked higher firing rates than off-beat sounds, and this difference was a defining feature of the set of beat interpretations most commonly perceived by human listeners over others. Basic firing rate adaptation provided a sufficient explanation for these results. Our findings suggest that midbrain adaptation, by encoding the temporal context of sounds, creates points of neural emphasis that may influence the perceptual emergence of a beat.
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