Born in the USA: The Cigar Box Guitar, Object Displacement and Performative DIY
Author(s) -
Paul Atkinson
Publication year - 2020
Publication title -
journal of design history
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.133
H-Index - 22
eISSN - 1741-7279
pISSN - 0952-4649
DOI - 10.1093/jdh/epaa058
Subject(s) - performative utterance , guitar , orchestration , visual arts , musical , singing , creativity , art , object (grammar) , aesthetics , sociology , history , acoustics , computer science , psychology , physics , artificial intelligence , social psychology
The cigar box guitar is a long-standing cultural artefact which, over the course of its history, has undergone a series of displacements. Initially an acoustic instrument made by impoverished people in the mid-nineteenth century to fulfil a social need to make music and help the singing of traditional folk songs, it soon became a simple do-it-yourself project associated largely with children, and later, in the 1990s, it was reimagined as a serious, electrified musical instrument employed in a particular, performative form of DIY. In this most recent incarnation, the Internet has enabled the cigar box guitar to break free of its American roots to become the focus of a global practice of Performative DIY and a vehicle through which physical and virtual communities of makers support each other, express themselves, explore their creativity and display their self-identities.
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