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This article introduces visual appropriation as a method in critical international political thinking and acting, contributing to the evolving repertoire of multiple, pluralist methods for visual analysis of international relations operating in a digital visual environment. We define appropriation as reuse of existing visual material—either in its entirety or in part—without substantially altering the immanent characteristics of the appropriated material. As appropriators, scholars are producers of images who capitalize on and actively participate in digital visuality (seeing–changing–sharing). Appropriators are both image-analysts and image-actors but distinct from both, contributing not only to the visual analysis, but also to the visual construction of international relations. Approaching the international through appropriation grants researchers increased agency and responsibility vis-à-vis existing visual materials “out-there.” Rather than exploring a digital space of visual images produced and appropriated by others, researchers consciously and deliberately partake in the production and dissemination of images. As a result, we highlight how we—as scholars and as citizens—are facing research-ethical problematiques linked to ways of showing and seeing inevitably emanating from appropriation.

Visual Appropriation: A Self-reflexive Qualitative Method for Visual Analysis of the International