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Florentine Women and Vendetta: The Origin of Guelf-Ghibelline Conflict in Giovanni Villani’s Nuova Cronica
Author(s) -
Péter Bokody
Publication year - 2017
Publication title -
source notes in the history of art
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.1
H-Index - 5
eISSN - 2328-207X
pISSN - 0737-4453
DOI - 10.1086/695751
Subject(s) - genealogy , history , humanities , political science , demography , ancient history , art , sociology
By the fourteenth century, the Guelf-Ghibelline controversy was an established political issue in Italy. The opposition between the pope and the emperor was often used to raise the stakes of conflicts between cities and city-factions, and this antagonism was communicated through detailed visual symbolism. The chroniclers described these struggles and their devastating consequences. Giovanni Villani, in his Nuova Cronica, not only recounted the myths around the foundation of Florence, but he also created an elaborate narrative of its recent history. The illustrated copy of this work (ca. 1341–48, ms Chigiano L VIII 296,

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