How Does Your Brain See “Living” Circles: A Study of Animacy and Intention Using fMRI
Author(s) -
Phil McAleer,
M Becirspahic,
Steve Love
Publication year - 2011
Publication title -
i-perception
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.64
H-Index - 26
ISSN - 2041-6695
DOI - 10.1068/i200
Subject(s) - animacy , percept , perception , psychology , cognitive psychology , neuroimaging , brain activity and meditation , electroencephalography , neuroscience
It is widely reported that the perception of animacy can occur from simple displays of moving shapes with participants attributing such qualities as goals, beliefs, and intentions. Furthermore, via neuroimaging studies, a network of brain areas, including regions of the temporal and frontal lobes, has been shown to process the percept. However, problems exist that prevent the bridging of fMRI studies on the perception of animacy and intention in shapes to the same percept of human movement. First, the issue of prior displays being poorly controlled in terms of low-level visual cues blurs the actual root of the effect. Second, the general use of synthetically generated displays and their relationship to actual human movement: a problem previously addressed in behavioural studies via a systematic reduction of live visual footage of human actors. Therefore, we propose experiments that incorporate both synthetically generated animacy stimuli and displays derived from human motion. Following the classic Tremoulet and Feldman displays, stimuli are created that allow for manipulation of animacy and intent whilst controlling low-level visual cues. These displays are then used in a whole-brain fMRI study to locate neural regions sensitive to the perception of animacy and intention. Finally, within these regions, a region-of-interest analysis is performed to examine the change in brain activation from viewing animacy displays derived from human movement with varying intent (eg, chasing or following). This study develops the relationship between previous animacy literature and the real-world perception of intent
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