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Are portrait artists superior face recognizers? Limited impact of adult experience on face recognition ability.
Author(s) -
Jeremy J. Tree,
Ruth Horry,
Howard Riley,
Jeremy Wilmer
Publication year - 2017
Publication title -
journal of experimental psychology human perception and performance
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.691
H-Index - 148
eISSN - 1939-1277
pISSN - 0096-1523
DOI - 10.1037/xhp0000328
Subject(s) - portrait , psychology , facial recognition system , psycinfo , face (sociological concept) , normative , test (biology) , cognitive psychology , visual arts , art , linguistics , medline , pattern recognition (psychology) , paleontology , philosophy , epistemology , political science , law , biology
Across 2 studies, the authors asked whether extensive experience in portrait art is associated with face recognition ability. In Study 1, 64 students completed a standardized face recognition test before and after completing a year-long art course that included substantial portraiture training. They found no evidence of an improvement in face recognition after training over and above what would be expected by practice alone. In Study 2, the authors investigated the possibility that more extensive experience might be needed for such advantages to emerge, by testing a cohort of expert portrait artists (N = 28), all of whom had many years of experience. In addition to memory for faces, they also explored memory for abstract art and for words in a paired-associate recognition test. The expert portrait artists performed similarly to a large, normative comparison sample on memory for faces and words but showed a small advantage for abstract art. Taken together, the results converge with existing literature to suggest that there is relatively little plasticity in face recognition in adulthood, at which point our substantial everyday experience with faces may have pushed us to the limits of our capabilities. (PsycINFO Database Record

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