English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article offers solution to the traditional problem of correlation of the artistic form and expressive means of art with individual creativity of the artist and audience. Comparison is conducted on the views L. S. Vygotsky and Mikhail Bakhtin on art. The author formulates the hypothesis that art is a life that is constituted equally on the laws of &amp;ldquo;Self&amp;rdquo; and the laws of artistic language and form. The hypothesis is proven by the authorial interpretation of art as a system that includes three different dimensions. The works of the prominent Israeli writer Meir Shalev serve as the illustrations. The first dimension indicates the social conditions of art: "non-utilitarian " (non-production) life of individuals dealing with art, which suggests spare time, opportunity to observe, reflect, experience, and not be criticized. The second dimension is artistic communication, which suggests the so-called division of labor, processes of comprehension and miscomprehension, intermediaries (philosophers of art, critics, and art historians) who help to interpret art and artworks. The third dimension is artistic creativity, the intersection of the lifeworld of the artist (and audience), challenges and creative pursuits, knowledge of the techniques and expressive means of art. The peculiarities of artistic creativity are viewed on the two cases: the description of absolute beauty in the novel &amp;ldquo;Fontanella&amp;rdquo; by M. Shalev, and reconstruction of the musical action of &amp;ldquo;The Poem of Extasy&amp;rdquo; by A. Scriabin, which encompasses the groups of musical action and symphonic performance of the poem.	

Art as a form of individual creativity, artistic communication and conceptualization