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In a reading of Gryphius’ Catharina von Georgien within its political and confessional context of Silesia at the end of the Thirty Years’ War, this article analyzes the transformation of the Christian martyr cult within early modern German tragedy. It argues that Gryphius used the hagiographic type of the royal martyr as a moral example and figure of governmental order. He depicted the pious Georgian martyr Queen Catharina and her devout officials as an inspiring community of civic virtue to be imitated by his fellow Silesians. This patriotic injunction of the tragedy resonates with legal concepts of public law put forward by Gryphius’ mentor, Georg Schönborner and others. The article finds that Gryphius’ martyr tragedy must be read as an aesthetic contribution to some of the legal movements decisive for German state formation around 1650.

Officials on the Scaffold: Lutheran Martyrdom in Andreas Gryphius’ Catharina von Georgien