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This essay analyses Samuel Beckett’s Trilogy and Waiting for Godot through the enabling theoretical lens of Martin Heidegger’s Being and Time. Special attention shall be paid to key Heideggerian concepts: idle talk, authenticity, and inauthenticity. A Heideggerian reading of Beckett’s influential middle period allows for a rich exploration of how his works provide a vision of the psychological state of the formerly powerful Anglo-Irish in post-independence Ireland. A Beckettian reading of Heidegger demonstrates how Heideggerian thought has been at the forefront of elucidating key challenges posed in the Twentieth Century concerning ways of being-in-the-world and being-with-others that allows for the authenticity of individual subjectivities.

“‘Idle Talk, Idle Talk, Idle Talk’: Samuel Beckett, Anglo-Ireland, and Heideggerian Thought”