Tattoos as multimodal semiotic assemblages

Drawing on interviews with, and images from, a selection of female participants, we develop the notion of semiotic assemblages to examine tattoos as mobile semiotic material for embodied meaning-making, with multi-located trajectories linking the tattooed bodies to different spatial networks. In turn, we draw on the social semiotic approach to multimodality by looking at assemblages of tattoos as vibrant material, pregnant with  thing-power which, while re-making the bodies of individual tattoo owners, simultaneously shapes and semiotically remediates physical and affective (e.g. emotional and memorial) objects and feelings. We illustrate how corporeal materials and activities, and the incorporeal conceptual, perceptual and affective senses and feelings are remediated across boundaries of language, geography, semiotic modes, media, and chains of mediation to make meaning. We end with a suggestion that multimodal analysis of semiotic assemblages needs to take a multiscalar approach to account for mobilities, movements and flow, and the continuities and disconnections in forms and meanings the dynamics of the connectedness produce across different scales.