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In recent years, 3D technology has been widely used in various aspects of the entire workflow of conservation–restoration. However, in the majority of cases, researchers have mainly relied on 3D technologies to assist the conventional conservation–restoration process, and its advantages have not truly been exploited. In this paper, we applied a combination of digital acquisition, virtual anastylosis, virtual reconstruction, and 3D printing of a transparent reversible prosthesis with slots for the restoration of a gold foil decorated Black Ding bowl collected by the Chifeng Museum of the Inner Mongolia Autonomous Region. While completing the physical/aesthetic restoration of the artifact, the conservation–restoration principles of the integrity and authenticity of cultural heritage, minimal intervention and reversibility were followed to the utmost extent. At the same time, we also conducted preliminary performance tests on the 3D printing material of the prosthesis, and the results showed that the material has excellent mechanical properties and stain resistance, contributing to the long-term, stable preservation of the artifact. This work presents an innovative solution applicable to other pieces of cultural heritage and has high significance for promotion.

Transparent reversible prosthesis, a new way to complete the conservation–restoration of a Black Ding bowl with application of 3D technologies