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Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom
Author(s) -
Emms Rachel,
Crossley Nick
Publication year - 2018
Publication title -
canadian review of sociology/revue canadienne de sociologie
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.414
H-Index - 35
eISSN - 1755-618X
pISSN - 1755-6171
DOI - 10.1111/cars.12181
Subject(s) - social worlds , social network analysis , key (lock) , sociology , character (mathematics) , locality , identification (biology) , focus (optics) , visual arts , media studies , geography , art , computer science , social science , linguistics , social capital , computer security , philosophy , botany , geometry , mathematics , physics , optics , biology
Translocal music worlds are often defined as networks of local music worlds. However, their networked character and more especially their network structure is generally assumed rather than concretely mapped and explored. Formal social network analysis (SNA) is beginning to attract interest in music sociology but it has not previously been used to explore a translocal music world. In this paper, drawing upon a survey of the participation of 474 enthusiasts in 148 live music events, spread across 6 localities, we use SNA to explore a significant “slice” of the network structure of the U.K.'s translocal underground heavy metal world. Translocality is generated in a number of ways, we suggest, but one way, the way we focus upon, involves audiences traveling between localities to attend gigs and festivals. Our analysis of this network uncovers a core‐periphery structure which, we further find, maps onto locality. Not all live events enjoy equal standing in our music world and some localities are better placed to capture more prestigious events, encouraging inward travel. The identification of such structures, and the inequality they point to, is, we believe, one of several benefits of using SNA to analyze translocal music worlds.