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This essay studies the methodology and findings of two historical novels by Willa Cather,  The Professor's House  and  Death Comes for the Archbishop . It begins by comparing Cather's historical approach with that of Herbert Bolton, a pioneer of hemispheric history and a possible prototype for the academic protagonist of  The Professor's House . The essay then proceeds by considering Cather's depiction of the US–Mexico borderlands in  Death Comes for the Archbishop  from a Boltonian perspective, finding the novel to be a portrait of the American mind as it suppresses, evades, and otherwise comes to terms with the realities of its post-1848 imperialism.

Blood on the Rock: Cather's Southwestern History