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Instrumental genesis through interdisciplinary collaboration-reflections onthe emergence of a visualisation framework for video annotation data XML Thispaper presents, discusses and reflects on the development of a visualizationframework for the analysis of the temporal dynamics of audiovisualexpressivity. The main focus lies on the instrumental genesis process (Rabardel1995; Longchamp 2012)-a concept trying to express and analyze the co-evolutionof instruments and the practices they make possible-underlying thisdevelopment. It is described through the collaboration and communicationprocesses between computer science scholars and humanities scholars in findingnew ways of visualizing complex datasets for exploration and presentation inthe realm of film-studies research. It draws on the outcome and concrete usageof the visualizations in publications and presentations of a research group,the AdAproject, that investigates the audiovisual rhetorics of affect inaudiovisual media on the financial crisis (2007-). These film analyses arebased on theoretical assumptions on the process of film-viewing, the relationof the viewer's perception and the temporally unfolding audiovisual images, anda methodical approach that draws on 'steps' in the research process such assegmentation, description and qualification, called eMAEX (Kappelhoff et al.2011-2016) to reconstruct these experiential figurations (Bakels et al. 2020a,2020b). The main focus of this paper is the process of iterative development ofvisualizations as interactive interfaces generated with the open-sourcesoftware Advene, that were an integral part of the research process. In thisregard, the timeline visualization is not only of interest for visualargumentation in (digital) humanities publications, but also for the creationof annotations as well as the exploration of this data. In the first part ofthe paper we describe this interdisciplinary collaboration as instrumentalgenesis on a general level-as an evolving and iterative process. In the secondpart we focus on the specific challenge of designing a visualization frameworkfor the temporal dynamics of audiovisual aesthetics. Lastly we zoom out byreflecting on experiences and insights that might be of interest for the widerdigital humanities community.

Instrumental genesis through interdisciplinary collaboration -- reflections on the emergence of a visualisation framework for video annotation data