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Airborne particles are the medium for SARS-CoV-2 to invade the human body.Light also reflects through suspended particles in the air, allowing people tosee a colorful world. Impressionism is the most prominent art school thatexplores the spectrum of color created through color reflection of light. Wefind similarities of color structure and color stacking in the Impressionistpaintings and the illustrations of the novel coronavirus by artists around theworld. With computerized data analysis through the main tones, the way of colorlayout, and the way of color stacking in the paintings of the Impressionists,we train computers to draw the novel coronavirus in an Impressionist styleusing a Generative Adversarial Network to create our artwork "Medium.Permeation". This artwork is composed of 196 randomly generated viral picturesarranged in a 14 by 14 matrix to form a large-scale painting. In addition, wehave developed an extended work: Gradual Change, which is presented as videoart. We use Graph Neural Network to present 196 paintings of the newcoronavirus to the audience one by one in a gradual manner. In front of LED TVscreen, audience will find 196 virus paintings whose colors will changecontinuously. This large video painting symbolizes that worldwide 196 countrieshave been invaded by the epidemic, and every nation continuously pops up mutantviruses. The speed of vaccine development cannot keep up with the speed ofvirus mutation. This is also the first generative art in the world based on thecommon features and a metaphorical symbiosis between Impressionist art and thenovel coronavirus. This work warns us of the unprecedented challenges posed bythe SARS-CoV-2, implying that the world should not ignore the invisible enemywho uses air as a medium.

Medium. Permeation: SARS-COV-2 Painting Creation by Generative Model