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There are many applications that aim to create a complete model for anautonomously generated composition; systems are able to generate muzak songs,assist singers in transcribing songs or can imitate long-dead authors.Subjective understanding of creativity or aesthetics differs not only withinpreferences (popular authors or genres), but also differs on the basis ofexperienced experience or socio-cultural environment. So, what do we want toachieve with such an adaptation? What is the benefit of the resulting work forthe author, who can no longer evaluate this composition? And in what waysshould we evaluate such a composition at all?

Towards Evaluation of Autonomously Generated Musical Compositions: A Comprehensive Survey