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In North Indian Classical music, each raga has been traditionally associatedwith a performance time, which supposedly maximizes its aesthetic and emotionaleffects on the listener. The objective of this work was to investigate thestructural basis, if any, for the association of ragas with different times ofthe 24-hour span. The tonnetz framework has been used to analyze the pitch setsof 65 North Indian Classical ragas, and structural similarities have beenobserved between ragas associated with (1) times of transition between day andnight, i.e., dawn and dusk, and (2) times between these transitions. Thesefindings could provide some insight into the scientific basis of the age-oldraga-time relation, and their effects on the perception of the listener.

Analysis of North Indian Classical Ragas Using Tonnetz