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Nearly two decades after its inception as a workshop at the ACM Conference onHuman Factors in Computing Systems, NIME exists as an established internationalconference significantly distinct from its precursor. While this origin storyis often noted, the implications of NIME's history as emerging from a fieldpredominantly dealing with human-computer interaction have rarely beendiscussed. In this paper we highlight many of the recent -- and some not sorecent -- challenges that have been brought upon the NIME community as itattempts to maintain and expand its identity as a platform formultidisciplinary research into HCI, interface design, and electronic andcomputer music. We discuss the relationship between the market demands of theneoliberal university -- which have underpinned academia's drive for innovation-- and the quantification and economisation of research performance which havefacilitated certain disciplinary and social frictions to emerge withinNIME-related research and practice. Drawing on work that engages with feministtheory and cultural studies, we suggest that critical reflection and moreovermediation is necessary in order to address burgeoning concerns which have beenraised within the NIME discourse in relation to methodological approaches,`diversity and inclusion', `accessibility', and the fostering of rigorousinterdisciplinary research.

Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises