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This paper presents and tests a new approach to composing for ensemblesinging performance: reality opera. In the performance of such a composition,emotions of the singers are real and emerge as a consequence of theirinteractions and reaction and to a dynamic narrative. This paper givesbackground and motivation for the form, based on three key concepts,incorporating the use of technology. Then proposed techniques for creatingreality opera are instantiated in an example, which is performed and abehavioral analysis done of performer reactions, leading to support for thefeasibility of the reality opera concept.

Application of Optimization and Simulation to Musical Composition that Emerges Dynamically during Ensemble Singing Performance