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Interactive music systems always exhibit some autonomy in the creativeprocess. The capacity to generate novel material while retaining mutuality tothe interaction is proposed here as the bare minimum for creative autonomy insuch systems. Video Interactive VST Orchestra is a system incorporating anadaptive technique based both on the concept of salience as a means forretaining mutuality to the interplay and on multidominance in the adaptivegeneration process as a means for introducing novelty. We call this propertyreflexive multidominance. A case study providing evidence of such creativeautonomy in VIVO is presented.

Creative Autonomy Through Salience and Multidominance in Interactive Music Systems: Evaluating an Implementation