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Research into the stylistic properties of translations is an issue which hasreceived some attention in computational stylistics. Previous work by Rybicki(2006) on the distinguishing of character idiolects in the work of Polishauthor Henryk Sienkiewicz and two corresponding English translations usingBurrow's Delta method concluded that idiolectal differences could be observedin the source texts and this variation was preserved to a large degree in bothtranslations. This study also found that the two translations were also highlydistinguishable from one another. Burrows (2002) examined English translationsof Juvenal also using the Delta method, results of this work suggest that sometranslators are more adept at concealing their own style when translating theworks of another author whereas other authors tend to imprint their own styleto a greater extent on the work they translate. Our work examines the writingof a single author, Norwegian playwright Henrik Ibsen, and these writingstranslated into both German and English from Norwegian, in an attempt toinvestigate the preservation of characterization, defined here as thedistinctiveness of textual contributions of characters.

Chasing the Ghosts of Ibsen: A computational stylistic analysis of drama in translation