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Conversational participants tend to immediately and unconsciously adapt toeach other's language styles: a speaker will even adjust the number of articlesand other function words in their next utterance in response to the number intheir partner's immediately preceding utterance. This striking level ofcoordination is thought to have arisen as a way to achieve social goals, suchas gaining approval or emphasizing difference in status. But has the adaptationmechanism become so deeply embedded in the language-generation process as tobecome a reflex? We argue that fictional dialogs offer a way to study thisquestion, since authors create the conversations but don't receive the socialbenefits (rather, the imagined characters do). Indeed, we find significantcoordination across many families of function words in our large movie-scriptcorpus. We also report suggestive preliminary findings on the effects of genderand other features; e.g., surprisingly, for articles, on average, charactersadapt more to females than to males.

Chameleons in imagined conversations: A new approach to understanding coordination of linguistic style in dialogs