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Maya Blue is actually one of the best known examples of an organic-inorganichybrid material. Yet despite 50 years of sustained interest, its microscopicstructure and its relation to durability remain open questions. We address theissue by archaeomimetism: engineering an archaeoinspired pigment,satisfactorily reproducing the colour and chemical stability of Maya Blue. Bycomparing and contrasting ancient pigment and the new analogue, we deduce a newexplanation for this durability.

Revisiting Maya Blue and Designing Hybrid Pigments by Archaeomimetism