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The present paper tries to gives an account of the manufacturing process of pottery by the people of Oinam, who inhabit the same named village in the Senapati District, Manipur (India), among whom the art of potmaking is still a continuing craft since early days the significance of Oinam ceramic technology lies with the fact that this female-oriented craft is excelled with the naked hand by using molding and paddle-beater technique duly decorated with cord-marked impression at the body part of the vessels. Both these ceramic attributes bear archaeological significances in terms of their probable spatial distribution and continuity throughout Southeast Asia and beyond since Neolithic times or earlier.

Archaeological Significances of the Potmaking Tradition of the Oinamee in Manipur (India)