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Nadine Gordimer appears ahead of South African politics when she denounced the nation’s Apartheid policies and dehumanization of blacks. Both in campaigns and in her books, at home and abroad, her soul was with the black majority rule in South Africa. Although critics ruled that her political preoccupations were impinging on her art, Gordimer remained resolute. Critics were not comfortable with some of her contradictory roles like the moral stances in her novels and her atheistic disposition. Her inability to equate Zionism with Apartheid also unsettled her critics. But her postApartheid narratives show she is a century ahead of her detractors.

Dialogue with the Future and the Political Prophesy in Nadine Gardiner’s Novels