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It is always important that society has an idea of the direction of its creative expression and this study is meant to fill a vacuum as it is intended to supply new information on this trend of Hip-life music. This paper explores the relevance of Hip-life music in the context of poetry. The significance of the study lies in the fact that it is a whole new way of life and being the dominant literary mouthpiece of the youth of Ghana, it is at least necessary to listen to what they are saying and why they are firing so. Again the departure from the grand themes of Highlife, which is at the base of Hip-life, to the banal themes of daily existence that have been a dominant feature of the twentieth century is so marked and so significant that it is worth studying. Such a study is expected to provide answers to such questions as: What gave rise to such a dramatic change or development? What is the new direction? Different methods were employed in collecting data on the songs. With the data collection, a face-toface interview method was used to collate data on the evolution and future of Hip-life music from artistes, composers and studio engineers. The collection of the songs was two folds: transcription of the songs and some written songs at the cover of the albums. It concludes by summarizing the various themes analyzed and gives suggestion as to the future of Hip-life music.

Poetry of Ghanaian Hip-Life Music: Reflections on the Thematology of Selected Hip-Life Songs