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The link between the natural world and writing poetry is one of the keys to understanding Ted Hughes’s work. This paper sheds light on Hughes’s attempts to make vocal the inner life or the depths of human unconscious. Hughes’s poetic philosophy harps with the tune of Sigmund Freud’s theory of psychoanalysis. Freud’s ‘id’suggested a more subtle way in which the bestial and the instinctive could figure in human psyche. The interaction of the human and the beast worlds have taken the form of depicting human life in terms of some notion of animal behavior. This has served many purposes-to embody specific human emotions, often uncontrolled emotions, to depict a way of escaping human limitations, especially seeming narrowness of city life, morality or purely intellectual discernments. Similarly Hughes’s poems depict a breaking free from some perceived set of social or political limitations that the writer wishes to expose and change. By revolutionizing our understanding of the inner workings of the unconscious Ted Hughes was a major influence on the twentieth century thought.

Ted Hughes and the Unconscious: Visualizing Ted Hughes’s Poems through the Looking Glass of Sigmund Freud