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Resumo Este ensaio examina edificios teatrais historicos, o porque de serem preservados, porque sao reconstruidos e o que podemos aprender com esses predios. Ele propoe entender que atos de preservacao e recreacao nao sao atos de nostalgia, porem atos de “historia do teatro aplicada”, usando o passado para enriquecer e revigorar o presente. Tradicionalmente existe uma interrelacao entre a dramaturgia ciada pela cultura e a arquitetura do espaco no qual esta dramaturgia foi proposta para ser encenada.O entendimento deste interrelacionamento e como a compreensao de uma linguagem.Se nos formos traduzir uma peca historica para um publico atual, temos que compreender a linguagem teatral original na qual a peca foi escrita e para faze-lo, necessitamos de teatros historicos.  Palavras –chave: Teatro historicos; Historia do teatro; arquitetura teatral Abstract This essay examines historic theatres, why they are preserved, why they are reconstructed and what we can learn from them. It proposes that acts of preservation and recreation are not acts of nostalgia but acts of "applied theatre history," using the past to enrich and reinvigorate the present. Traditionally, there is an interrelationship between the drama a culture creates and the architecture of the space such drama was created to be performed in. The understanding of that interrelationship is like the understanding of a language. If we are to successfully translate an historic drama for a modern audience, we need to understand the original theatrical language in which the drama was written and to do this we need historic theatres.  Key-words: Historic Theatres, Theatre history; theatre architecture. Professor Franklin J. Hildy is Director of the PhD program in Theatre and Performance Studies in the School of Theatre, Dance and Performance Studies at the University of Maryland. He is the general editor of theatre-finder.org, and web based guide to all the existing theatres in the world that are over 100 years old. He is co-author, with the late Oscar G. Brockett, of History of the Theatre, the most widely used text in the field. He is a member of the architectural advisory committee for the Trustees of Shakespeare’s Globe in London and convener of the Working Group on Theatre Architecture for the International Federation for Theatre Research. He has published extensively on historic theatres architecture.  Professor Franklin J. Hildy e diretor do Programa de Doutoramento em Estudos de Teatro e Performance na Escola de Teatro, Danca e Performance Studies na Universidade de Maryland. Ele e o editor-geral do theatre-finder.org, um guia virtual de todos os teatros existentes no mundo que tenham mais de 100 anos. Ele e co-autor, com o falecido Oscar G. Brockett, da History of the Theatre, o texto mais amplamente utilizado no campo. Ele e um membro do Comite Consultivo de arquitetura para os curadores de Shakespeare Globe em Londres e coordenador do Grupo de Trabalho sobre a Arquitetura Teatral para a Federacao Internacional de Pesquisa em Teatro. Ele publicou extensivamente na arquitetura de teatros historicos.   Integra em PDF

Arquitetura teatral histórica:história do teatro aplicada em três lições