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In study, it was aimed to examine how a modern play transforms the theme and the form in the public narrations. While the public narrations were being examined, they were associated with a text passed into a written form from the aural tradition in terms of “intertextual” context in order to reveal how the story was presented by modernizing it and how the content of it was changed. The main data for analyzing the adaptations based on the public narrations were different plays developed from different point of views. Textual and linguistic formations, rhetoric of the texts, the differences of the texts from the form in tradition in terms of aesthetic and creative respects, the existence of the meaning loses and deviations, the effect of the theatre techniques on the form of the story etc. were the topics examined in the scope of this study. This study which was carried out to reveal the problem which is the profiting by tradition of public narration in Turkish theaters in the period of The Republic how cultural values were adopted to present era by modernizing them, the points where the writer diverged from the original text and how the narration developed according to the necessities of the era and according to the linguistic power of the writer is believed to be an example for the similar studies.

Profiting By Tradition Of Public Narration In Turkish Theaters In The Period Of The Republic