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Mentality is defined as the implicit reference system of a group. Concrete data that mentality shows itself in reveal in wide areas like attitudes, opinions, life style, morals; therefore, the frame of the mentality in that group, its “portrait” like Ülgener said, can be described when these areas are examined. It is confirmed that another one of the significant areas mentality reading made is the artistic production of that country such as literature, art and cinema. Artistic production especially cinema, reflects the society that they live in; on the other hand, they hold the influence in certain conditions. Furthermore, artists incorporate the mentality of the time and society that they live in; therefore, movies have the characteristic of the mentality in the society where they belong to. The characteristics of this frame can be confirmed with mentality reading, the mentality in that era can be revealed. It is aimed to make mentality reading in the movie called Kabadayı in this study. Sociological method is applied in the film analysis, and theoretical structure is based on anthropology, sociology and history. The movie called Kabadayı incorporates numerous elements, belonging to the habit of mind in Anatolian society, in the reciprocity of ancient and neo in its narration. Consequently, filmic narration bears the stamp of mentality that belongs to the era and society.

The Movie, Kabadayı, In The Context Of The Habit Of Mind In Anatolian Society