English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

The author wishes to acknowledge the funding provided by the Spanish Ministry of Economy and Competitiveness (Research Project "Bodies in Transit", ref. FFI2013-47789-C2-1-P, and Research Project "Bodies in Transit 2," ref. FF2017-84555-C2-1-P) and the European Regional Development Fund for the writing of this essay.

clcweb

The Commodified Body and Post/In Human Subjectivities in Frears’s &lt;em&gt;Dirty Pretty Things&lt;/em&gt; and Romanek’s &lt;em&gt;Never Let Me Go&lt;/em&gt;