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In her article "The Road Trip as Artistic Formation in DeFeo's Work" Frida Forsgren discusses previously unpublished photographic material documenting Jay DeFeo's road trip in Europe and North Africa in the 1950s. Forsgren argues that the Beat road trip is by no means an exclusively masculine enterprise and quest: DeFeo's journey helped open the door to her emancipation as a female artist and propelled her artistic development. Moreover, the global experience represented by the trip helped shape her local Beat milieu upon her return to San Francisco. While European, Medieval, Italian Renaissance, and Hebrew influences in DeFeo's oeuvre have been studied, Forsgren traces the North African and particularly Moroccan influences in DeFeo's work. Frida Forsgren, "The Road Trip as Artistic Formation in DeFeo's Work" page 2 of 8 CLCWeb: Comparative Literature and Culture 18.5 (2016):  Special Issue Beat Studies Go Global. Ed. Oliver Harris and Polina Mackay